The only light moment in the film is the song sequence "Lapak jhapak, lapak jhapak loa", which is decently choreographed. They are bright and energetic talent who are dynamic and sincere. Tisca Chopra as Raj Bansal's wife and Zakir Husain as the police commissioner, in one-dimensional, stereotypical roles with limited screen presence, are wasted.īut the highlights of the film are the four new youngsters Shivam Patil as Rohan Kriplani, Aanchal Munjal as Anushka Kriplani, Diana Khan as Zoya and Rishabh Arora as Varun Jain. Soha Ali Khan in a restrained and nebulous character Riya, Ajay's psychiatrist-cum-partner, is passable.
He is efficiently supported by an able cast that includes Narendra Jha as the business tycoon Raj Bansal, Om Puri as Joe D'Souza the former police officer who is now an RTI activist, Harsh Chhaya as Aditya Raj Guru the editor of The Daily Herald and Manoj Joshi as the politician. He is agile, brilliant and appealing in the action sequences. As an actor with brooding eyes, he emits raw emotions with ease. Sunny has managed to extract fine performances from every actor. With a plethora of well-etched characters, up-to-date subplots, he delivers a fairly comprehensive tale with moralistic and inspirational messages like, "Galat logon se darna, galat hai" and "Agar hum sach ke saath hain, toh jeetne tak haar nahin maanni chahiye". He takes potshots not only at the system but also cleverly insinuates the powerfully rich members of the city. And then, the narrative picks up momentum and gallantly strides into the action arena.Īs a debut writer-director, Sunny Deol is subtle yet blatant.
As the tale progresses, the film finds its focus when four college students stumble upon a murder. The film starts off on a tacky note trying to establish the setting of the story and the characters. Though he suffers from PTSD (Post Traumatic Stress Disorder), he is a dreaded man as he goes out of his way to personally clear out all the maladies that prevail in the system, especially corruption. After serving his jail term, he is now an investigating journalist who co-owns a news channel called Satyakam. It portrays him in a larger than life character.Ījay Mehra (Sunny Deol) was earlier accused of killing a corrupt business man, Balwantrai. The film belongs to Sunny Deol all the way. Snippets of the previous edition used generously as flashbacks in this narration, give the film a strong sense of belonging. This edition takes off from where its last franchise left off.